Table of Contents
Editorial Board
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Editor's Note
| - | |
Introductory Notes
| Introductory Notes on Philippine Music Hybridity | |
| José S. Buenconsejo |
Articles
| SUBJECTIVITY AND HYBRIDITY IN THE AGE OF INTERACTIVE INTERNET MEDIA: THE MUSICAL PERFORMANCES OF CHARICE PEMPENGCO AND ARNEL PINEDA | |
| Christi-Anne Castro |
| SALIDUMMAY’S HYBRIDITY AND CONGREGATIONAL SINGING | |
| Michiyo Yoneno Reyes |
| BROWN, BLACK, YELLOW, WHITE: FILIPINO MUSICIANSHIP IN HONG KONG AND THEIR HYBRIDIZED SOCIABILITY | |
| Lee William Watkins |
| FROM REBEL SONGS TO MORO SONGS: POPULAR MUSIC AND MUSLIM FILIPINO PROTEST | |
| Mary Talusan |
| KULINTANG STATESIDE: ISSUES ON AUTHENTICITY OF TRANSFORMED MUSICAL TRADITIONS CONTEXTUALIZED WITHIN THE GLOBAL/LOCAL TRAFFIC | |
| Pamela Costes Onishi |
| INLAND-COASTAL PHILIPPINE HYBRIDITY: HETEROGLOSSIA IN AGUSAN MANOBO MUSIC AND RITUAL | |
| José S. Buenconsejo |
ISSN: 2012-0788