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Humanities Diliman: A Philippine Journal of Humanities
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  3. Vol 7 No 1 (2010)

Nena Saguil
Taga-Ani sa Bukid
1954, Relief print
18.5 cm. x 23.5 cm.

From the Collection of the Jorge B. Vargas Museum and Filipiniana Research Center
University of the Philippines

Published: 2010-04-12

Editorial Board

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From the Editor

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Introductory Notes

  • Introductory Notes on Philippine Music Hybridity
    José S. Buenconsejo
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Articles

  • SUBJECTIVITY AND HYBRIDITY IN THE AGE OF INTERACTIVE INTERNET MEDIA: THE MUSICAL PERFORMANCES OF CHARICE PEMPENGCO AND ARNEL PINEDA
    Christi-Anne Castro
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  • SALIDUMMAY’S HYBRIDITY AND CONGREGATIONAL SINGING
    Michiyo Yoneno Reyes
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  • BROWN, BLACK, YELLOW, WHITE: FILIPINO MUSICIANSHIP IN HONG KONG AND THEIR HYBRIDIZED SOCIABILITY
    Lee William Watkins
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  • FROM REBEL SONGS TO MORO SONGS: POPULAR MUSIC AND MUSLIM FILIPINO PROTEST
    Mary Talusan
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  • KULINTANG STATESIDE: ISSUES ON AUTHENTICITY OF TRANSFORMED MUSICAL TRADITIONS CONTEXTUALIZED WITHIN THE GLOBAL/LOCAL TRAFFIC
    Pamela Costes Onishi
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  • INLAND-COASTAL PHILIPPINE HYBRIDITY: HETEROGLOSSIA IN AGUSAN MANOBO MUSIC AND RITUAL
    José S. Buenconsejo
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