Thinking Through Lines

The Role of Freehand Drawing in Architectural Ideation

  • Sarah M. Moussavi UP College of Architecture

Abstract

In an era where technology increasingly dominates architectural design, computer-generated presentations have largely replaced hand-drawn drawings. This transition, characterized by Capro (2013) as the "digital turn," has significantly transformed how architectural ideas are conceptualized and communicated. Despite these advancements, freehand drawings continue to be a crucial element of the design process. This study investigates the enduring relevance of freehand drawing, highlighting its role as a cognitive tool that facilitates the direct translation of thoughts and imagination onto paper. The research reveals how freehand drawing fosters creativity, spatial awareness, and conceptual exploration. By allowing architects to engage deeply with their sensory perceptions of space, freehand drawing captures materials' tactile and visual qualities, offering an embodied experience informed by sensory cosmology and connecting to broader cosmic themes. The study advocates for incorporating freehand drawing exercises in early architectural education to stimulate imaginative and creative thinking, emphasizing the role of line as a fundamental architectural element. However, the undeniable advancement of technology in architectural presentation necessitates a balanced approach. This research, was conducted through surveys of students and architects, seeks to gather diverse perspectives on the comparative impact of freehand versus digital methods in the architectural design process, aiming to guide educators in effectively integrating both traditional and digital techniques.

Author Biography

Sarah M. Moussavi, UP College of Architecture

Sarah M. Moussavi is a licensed architect and currently serves as an assistant professor. She received her B.S. in Architecture from the University of Santo Tomas and her Master’s in Tropical Landscape Architecture from the University of the Philippines College of Architecture. She is currently pursuing her PhD at the same university. Sarah is the coordinator of the Architectural Communication Studio Laboratory and the focal point person for Gender and Development at the college. Her research interests are focused on the role of Indigenous peoples in sustainable management and the exploration of drawing as a cognitive tool in architectural design.

Published
2025-06-10
How to Cite
MOUSSAVI, Sarah M.. Thinking Through Lines. MUHON: A Journal of Architecture, Landscape Architecture, and the Designed Environment, [S.l.], p. 27-33, june 2025. ISSN 2094-1277. Available at: <https://journals.upd.edu.ph/index.php/muhon/article/view/10706>. Date accessed: 04 aug. 2025.
Section
Articles